Fiji Art

The Well Wisher Turtle is a colourful painting featuring a Fijian Turtle and flowers, painted in browns and golds on Masi.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Similar to the Three Turtles Art in green/gold/purple tones, this painting is in earth tones.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

This artwork is part of a series of Limited Edition Originals, each painted by hand. Artist M. W. Rova uses pure, white silk and dyes to create the vivid compositions for which she is known. Rova’s art is inspired by the wildlife, culture, and scenery of tropical Fiji, where she lives with her young family.

The frame surrounding the silk painting is made from traditional Fijian ‘masi’, also called barkcloth. This is produced by village women on the island of Vatulele. A renewable resource, ‘masi’ is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes day to process, involving repeated pounding, soaking, and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

This Fiji Musing Silk & Masi artwork is part of a series of Limited Edition Originals, each painted by hand. Nadi-based artist Maria Rova uses dyes and resist on pure, white silk to create vivid compositions that express her love for Fiji. The wildlife, culture, and scenery of Rova’s South Pacific home are themes that run throughout her award-winning work.

The frame surrounding the silk painting is made from traditional Fijian ‘masi’, also called barkcloth. This is hand-crafted by village women on the island of Vatulele. A renewable resource, ‘masi’ is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes day to process, involving repeated pounding, soaking, and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

When you are ready to frame your painting, simply peel the backing card off and mount on a colored background of your choice.

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

This Fiji Marine Motifs silk artwork is part of a series of Limited Edition Originals, each painted by hand. It features a Fiji Dolphin, Fiji Fish and Fiji shell. Nadi-based artist Maria Rova uses dyes and resist on pure, white silk to create vivid compositions that express her love for Fiji. The wildlife, culture, and scenery of Rova’s South Pacific home are themes that run throughout her award-winning work.

The frame surrounding the silk painting is made from traditional Fijian ‘masi’, also called barkcloth. This is hand-crafted by village women on the island of Vatulele. A renewable resource, ‘masi’ is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes day to process, involving repeated pounding, soaking, and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

What is more iconic than the Fijian Flower, the legendary Tagimoucia Flower of Fiji? It is said to have sprouted from the tears of a tribal princess who had fled her island village rather than be forced to marry a chief she did not love. This beautiful creeper, with its festoons of bright red and white flowers, grows only on the isolated slopes of extinct volcanoes in northern Fiji. The spiral wave motifs have been drawn with coral sand brought home from one of Fiji’s palm-fringed beaches.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work.

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

There are several varieties of sea turtles that visit Fiji waters on their annual migration through the Pacific Ocean. Now listed as endangered species, these creatures feature in island legends as symbols of wisdom and good fortune. The patterns on the backs of the turtles in this painting echo motifs found in traditional art around the region.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

The Heliconia flower is part of the ginger family and gets its name from the Greek work Helikonios. Also known as  Lobster claws, wild plantains and false Bird of Paradise. 

If you take a ride along Viti Levu’s eastern side along the Kings Road, from Rakiraki down that corridor, Tailevu towards Suva; that is one of the greenest places in Viti Levu. The eastern side is very lustrous and has beautiful scenery and vegetation. If you sit by the window on a journey along this corridor, you will never miss seeing this flower, it grows everywhere. 

If you try to get a bouquet from a florist it will cost you handsomely, but if you take a trip down the Kings Road you can stop by anywhere and pick your own, growing wild. 

Epi said "I wanted to capture one of the many beautiful flowers growing around Fiji. I love this flower because of its beautiful colours, orange to red, how the colours blend. The tonal expression you can create. Some ginger flowers are orange all throughout, many are just red. Look at the bottom part and how it changes colour towards the upper edge, it changes from darkness to light in the Heliconia.

Notice how the petals are connected, along the middle spine. One branching to the left, the other to the right, it goes right up to the very top of the flower, connected in the centre. Every bunch of flower, the shading is done, the bottom is dark to the upper edge." 

Tall palms bend as the night wind tosses their branches, their long fronds whipping and rustling like cascades of silver ribbons. Light of the new moon catches on the waves as they swell and recede in endless rhythm: the breathing of mother nature. Overhead, millions of stars pinpoint the darkness, adding their magic to the night on the beach that inspired this painting.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

Fiji’s coral reefs are inhabited by eye-catching fairy basslets - the inspiration behind this painting. Basslets are amongst the most colorful of tropical fish, living in large, loose schools along drop-offs and coral outcrops.

Water-based paint applied using sponging technique similar to that used by traditional Fijian masi-kesa artists, with details drawn in pigment pen.

Fijian Masi, a renewable resource, is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

Mystery surrounds the arrival of Iguanas in Fiji, for these creatures are closely related to the jungle Iguanas of Central America. Could they, or their eggs, have floated across the Pacific on rafts of vegetation in a bygone age? Today, as they struggle to survive encroaching civilization and imported predators, Iguanas have become favoured symbols of Fiji native wildlife.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work.

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

This Fiji Frog Masi painting was inspired by a recent story in our local newspaper: For the last twenty years, the Fiji Ground Frog or “Boto Ni Viti” (Platymantis vitianus) was presumed extinct as a result of the invasion of mongoose and giant toads. However, it has just been rediscovered in the dense rainforests of the Nakauvadra Range. The Boto Ni Viti, one of two native species of frogs, is a great athlete, capable of leaping and swimming at speed. The patterns on my frogs are inspired by traditional Fijian barkcloth designs.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work.

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

This Fijian Masi painting is one of a pair, celebrating emblems of Fiji’s forests and seas. Traditional legends feature many of the animals found in Fiji’s reefs, explaining how they got there, or attributing magical powers to them. One of the spirits worshiped by ancient Fijians was a sea snake, revered as especially powerful. Turtles, on the other hand, were symbols of good luck, bringing blessings to those who encountered them!

This Fiji painting features a Fiji Turtle, Sea snake, crab, fish, palm trea and shell.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work.

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

This Fiji Masi painting is one of a set of two, celebrating emblems of Fiji’s forests and seas. ‘Vuata’ means ‘harvest time’ in Fijian. Featured here alongside geckos and parrots, and tropical fruit, is a bundle of ‘dalo’ – or taro – a staple in the diet of every Fijian family. During traditional festivals, dalo are cooked in large communal earth ovens, and eaten with freshly caught fish, pork, and other delicacies.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work.

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

The Fiji Pacific Iguana Silk painting is one of our favourite Sigavou Studios pieces because of the stunning colours hand-painted onto Silk with a Fijian Masi background.

This artwork is part of a series of Limited Edition Originals, each painted by hand. Artist M. W. Rova uses pure, white silk and dyes to create the vivid compositions for which she is known. Rova’s art is inspired by the wildlife, culture, and scenery of tropical Fiji, where she lives with her young family.

The frame surrounding the silk painting is made from traditional Fijian ‘masi’, also called barkcloth. This is produced by village women on the island of Vatulele. A renewable resource, ‘masi’ is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes day to process, involving repeated pounding, soaking, and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

Hand-painted on masi, with details drawn in pigment pen. This painting is part of our “Large Silver Shell” range, depicting some of the fascinating shells that a lucky beachcomber may find while wandering along the palm-fringed shores of Fiji. The spines of the living scorpio conch permit it to crawl on the sand around the reef without being swept away by ocean currents.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

This Fiji Marine Motifs silk artwork is part of a series of Limited Edition Originals, each painted by hand. It features a Fiji Octopus, Fiji Flower, Fiji Shell and Fiji Crab. Artist M. W. Rova uses pure, white silk and dyes to create the vivid compositions for which she is known. Rova’s art is inspired by the wildlife, culture, and scenery of tropical Fiji, where she lives with her young family.

The frame surrounding the silk painting is made from traditional Fijian ‘masi’, also called barkcloth. This is produced by village women on the island of Vatulele. A renewable resource, ‘masi’ is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes day to process, involving repeated pounding, soaking, and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Framing instructions

This artwork has been left unframed for ease of shipping.

When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

This Fiji Davui Shell Silk painting was painted on pure, white silk, a medium the artist loves working with because of its beautiful sheen. Employing the age-old ‘serti’ technique, Rova uses special dyes and ‘gutta’ resist to create the brilliant blends of color which have become her trademark. Each work of silk art is painted by hand, often as part of a series of numbered Limited Edition Originals which the artist builds up slowly, one painting at a time.

M.W. Rova works from her home in Nadi, Fiji. Her artwork is inspired by the diverse wildlife of the Fiji Islands, with its amazing range of plants and animals, and striking land and sea scapes. The ideas for many of her paintings have grown out of visits to her husband’s village on the ‘Garden Island’ of Taveuni in northern Fiji, where his extended family lead a traditional lifestyle in harmony with the sea and tropical jungle around them.

“Sere Kali” refers to mythical poems or chants, often performed by traditional Fijian dancers. These sacred songs are passed from generation to generation by the “Dau Ni Vucu”, or meke dance teachers, who, through song and dance, have kept tribal legends alive to this day. This is one in a set of barkcloth paintings depicting this vibrant form of story-telling unique to Fijian culture.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

"Davui" is the Fijian word for conch shell. These beautiful shells hold a significant place in Fijian culture as ceremonial items. They are used as trumpets to announce traditional events such as the anointing of a new chief. A small hole is bored at the tip of the shell and the herald blows through this, creating a low wailing sound that seems to resonate with mysteries of an ancient oceanic past.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Water-based paint on masi. These little sea creatures certainly have some fascinating habits. Male seahorses take fatherhood to a level that would be the envy of many a human feminist! Males can be distinguished by a pouch, located just below their stomachs. The female deposits her eggs into this pouch, and dad is ‘pregnant’ with the babies for several weeks before they are born! 

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

“Vonu” is the Fijian word for turtle, painted here in the cool colours of our tropical waters. Turtles are revered in island legends as symbols of wisdom and blessing. Though their numbers have been dwindling, greenback, hawksbill, and leatherback turtles still visit Fiji’s beaches to breed as they journey through the Pacific Ocean along ancient migratory paths. 

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Water-based paint on dyed barkcloth, with details drawn in white coral sand from Yasawa beaches, and dark, volcanic sand from Nadi’s Wailoaloa Beach. One of the Fijian words for starfish is ‘ilokoloko ni qio’, which translates poetically as ‘shark’s pillow’! Pacific reefs are home to starfish of various shapes and colors, uniquely beautiful in both symmetry and texture. 

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Fiji's Ocean Sea Stars are famous for their striking blue colour. This mixed media painting features white coral sand from the palm-fringed shores of the Yasawa Islands, and dark, volcanic sand from Nadi’s Wailoaloa Beach. Bright blue starfish (Linckia laevigata) are a common sight among the shifting sands and coral outcrops of Fiji’s lagoons, where they add their vivid colour to the symphony of beauty waiting to be discovered beneath the waves.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Hand-painted on barkcloth, using a stenciling technique learnt from traditional ‘masi kesa’ artists. ‘Ika Lailai’ means ‘little fish’ in Fijian. This painting is one of several works of art by M. W. Rova that are inspired by the myriad of tiny fish that make Fiji’s coral reefs a teaming underwater zoo of life and color. 

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Water-based paint on masi. These little sea creatures certainly have some fascinating habits. Male seahorses take fatherhood to a level that would be the envy of many a human feminist! Males can be distinguished by a pouch, located just below their stomachs. The female deposits her eggs into this pouch, and dad is ‘pregnant’ with the babies for several weeks before they are born! 

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Hand-painted on masi, with details drawn in pigment pen. This painting is part of our “Silver Shell” range, depicting some of the fascinating shells that a lucky beachcomber may find while wandering along the palm-fringed shores of Fiji. The spines of the living Venus Comb Murex permit it to crawl on the sand around the reef without being swept away by ocean currents. 

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Sea turtles are perceived to bring blessings from ancestral sea gods in ancient Fijian culture. The trans-oceanic migration of these large reptiles remains one of nature’s wonders; This painting portrays the forces of ocean currents, moon, sun and stars which are said to guide sea turtles back to particular nesting beaches thousands of miles from winter feeding waters.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

My favourite Pacific shell, the nautilus, is the inspiration for this design. The energy of our swirling ocean is represented by spiralling sand lines drawn in white coral sand from Yasawa beaches, and dark, volcanic sand from Nadi’s Wailoaloa Beach. Perfect nautilus shells can usually only be obtained by killing live specimens. Help to protect our reefs from such environmentally damaging practices by collecting a shell like this one, painted on masi made from plantation-grown trees, a renewable natural resource. 

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Water-based paint, with coral sand from the sun-soaked beaches of Fiji…With its delicately curved, waxy petals and unique fragrance, the frangipani is the quintessential tropical flower in the minds of many. Frangipanis are synonymous with celebration in Fiji: strings of them are worn around the neck during dances and feasts. And a frangipani tucked behind the right ear shows that the wearer is in a relationship, while a blossom sported on the left announces that the wearer is free and single!

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Water-based paint on barkcloth. This design was inspired by a fish named after our islands: the ‘Fiji Devil’ (Abudefduf coeruleus). These bright blue damsel fish can often be seen darting about in rock pools or playing hide and seek amongst branches of coral. Washed into tidal pools by changing currents, they are one of the first of many thrilling sights waiting to greet the visitor to Fiji’s reefs.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

There are several varieties of sea turtles that visit Fiji waters on their annual migration through the Pacific Ocean. Now listed as endangered species, these creatures feature in Pacific legends as symbols of wisdom and good fortune. The patterns on the backs of the three turtles in this painting echo the geometric designs of traditional Fijian masi art. 

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

Multi-media artwork using a lino-cut print, with details drawn free-hand in metallic gold paint. Located next to the international dateline, Fiji is one of the first nations to welcome in each new day! The inspiration for this painting came by watching the sun rise beyond the Yasawa Islands, one of the many clusters of volcanic peaks that make up the Fiji Group.

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

This painting was inspired by a boat trip to the Yasawa Islands in Western Fiji. Jutting up out of a turquoise sea, the tips of volcanic mountains form a dramatic skyline. Shown here are Kuata, Waya Lailai, and Waya. The reefs fringing these remote islands are teaming with an amazing array of sea creatures. The sight of a school of spinner dolphins, leaping playfully through the waves, is always a special thrill!

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work. 

This artwork is part of a series of Limited Edition Originals, each painted by hand. Nadi-based artist Maria Rova uses dyes and resist on pure, white silk to create vivid compositions that express her love for Fiji. The wildlife, culture, and scenery of Rova’s South Pacific home are themes that run throughout her award-winning work.

The frame surrounding the silk painting is made from traditional Fijian ‘masi’, also called barkcloth. This is hand-crafted by village women on the island of Vatulele. A renewable resource, ‘masi’ is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes day to process, involving repeated pounding, soaking, and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

When you are ready to frame your painting, simply peel the backing card off and mount on a colored background of your choice.

This artwork is part of a series of Limited Edition Originals, each painted by hand. Nadi-based artist Maria Rova uses dyes and resist on pure, white silk to create vivid compositions that express her love for Fiji. The wildlife, culture, and scenery of Rova’s South Pacific home are themes that run throughout her award-winning work.

The frame surrounding the silk painting is made from traditional Fijian ‘masi’, also called barkcloth. This is hand-crafted by village women on the island of Vatulele. A renewable resource, ‘masi’ is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes day to process, involving repeated pounding, soaking, and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

When you are ready to frame your painting, simply peel the backing card off and mount on a colored background of your choice.

Water-based paint on natural masi, using sponging and drawing techniques. The inspiration for the design came from a snorkelling trip off the island of Waya in the Yasawa Group. As a novice snorkeler, I was astounded by the amazing variety of colourful fish in all shapes and sizes I kept meeting, giving me the feeling that the imagination is the limit when it comes to designing reef fish!

Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.

Artist M.W. Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan.