Fiji Fish Toys, Art & more

This lovely Fiji Fish Neck Pillow for children has a bright design using Fijian Fabric. It features two Fiji Fish joined together at the tail, to give neck support, great as a children's travel pillow.
Measures approx. 25cm width from side to side at widest point. Approx 21cm height and 6.5cm pillow thickness.
Made in Fiji with vibrant Fijian fabric, beautifully designed and made by Coconut Kids Fiji.
Easy to keep clean - machine washable.

Fiji’s coral reefs are inhabited by eye-catching fairy basslets - the inspiration behind this painting. Basslets are amongst the most colorful of tropical fish, living in large, loose schools along drop-offs and coral outcrops.
Water-based paint applied using sponging technique similar to that used by traditional Fijian masi-kesa artists, with details drawn in pigment pen.
Fijian Masi, a renewable resource, is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.
Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work.
Framing instructions
This artwork has been left unframed for ease of shipping.
When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

Water-based paint on natural masi, using sponging and drawing techniques. The inspiration for the design came from a snorkelling trip off the island of Waya in the Yasawa Group. As a novice snorkeler, I was astounded by the amazing variety of colourful fish in all shapes and sizes I kept meeting, giving me the feeling that the imagination is the limit when it comes to designing reef fish!
Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.
Artist M.W. Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan.

Water-based paint on barkcloth. This design was inspired by a fish named after our islands: the ‘Fiji Devil’ (Abudefduf coeruleus). These bright blue damsel fish can often be seen darting about in rock pools or playing hide and seek amongst branches of coral. Washed into tidal pools by changing currents, they are one of the first of many thrilling sights waiting to greet the visitor to Fiji’s reefs.
Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.
Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work.

Hand-painted on barkcloth, using a stenciling technique learnt from traditional ‘masi kesa’ artists. ‘Ika Lailai’ means ‘little fish’ in Fijian. This painting is one of several works of art by M. W. Rova that are inspired by the myriad of tiny fish that make Fiji’s coral reefs a teaming underwater zoo of life and color.
Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.
Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work.

Kana Vinaka Cookbook
Kana vinaka means "eat well or good food" in Fijian, and is the title of Chef Colin Chung's cookbook about contemporary island cuisine.
The cookbook is split up into sections:
- Flavourings & Seasonings
- Snacks & Starters
- Salads & Soups
- Mains
- Beef
- Pork
- Chicken
- Seafood
- Vegetarian
- Sides & Accompanying dishes
- Baking, Doughs & Desserts
The cookbook features some interesting extra sections:
- Seasonality chart
- Ways to use local produce
- Produce Map
- Tourism Map
- Recipe index
- Glossary
Take a look at the images to see some sample recipes and the welcome note from Colin, explaining his vision behind the cookbook.
About Colin Chung
Throughout his forty years teaching and consulting in the islands, Colin has always promoted the use of fresh, local produce and the development of a more contemporary style of cuisine using the outstanding local produce.
Kana Vinaka is a not-for-profit initiative by Colin and a project he has taken on in the hopes of providing lasting development for the tourism and hospitality industry in Fiji.
Find out more about Colin on his website
A land of plenty
With volcanic soils, plentiful oceans, a tropical climate and an abundance of space, the Fiji Islands have an incredible ability to produce high quality seafood, meat, vegetables and fruit. Across Fiji, local markets showcase an array of products throughout the year that can be utilised in many contemporary ways. At its best, this produce is plentiful, high quality, economical, sustainable and bursting with flavour, with the potential to outshine many widely-used imported ingredients.

This Fiji Marine Motifs silk artwork is part of a series of Limited Edition Originals, each painted by hand. It features a Fiji Dolphin, Fiji Fish and Fiji shell. Nadi-based artist Maria Rova uses dyes and resist on pure, white silk to create vivid compositions that express her love for Fiji. The wildlife, culture, and scenery of Rova’s South Pacific home are themes that run throughout her award-winning work.
The frame surrounding the silk painting is made from traditional Fijian ‘masi’, also called barkcloth. This is hand-crafted by village women on the island of Vatulele. A renewable resource, ‘masi’ is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes day to process, involving repeated pounding, soaking, and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.
Framing instructions
This artwork has been left unframed for ease of shipping.
When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

This Fijian Masi painting is one of a pair, celebrating emblems of Fiji’s forests and seas. Traditional legends feature many of the animals found in Fiji’s reefs, explaining how they got there, or attributing magical powers to them. One of the spirits worshiped by ancient Fijians was a sea snake, revered as especially powerful. Turtles, on the other hand, were symbols of good luck, bringing blessings to those who encountered them!
This Fiji painting features a Fiji Turtle, Sea snake, crab, fish, palm trea and shell.
Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.
Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work.
Framing instructions
This artwork has been left unframed for ease of shipping.
When ready to frame, simply peel the painting from its temporary backing and mount on a coloured background of your choice, leaving the rough edges of the masi showing to enhance its natural look.

This artwork is part of a series of Limited Edition Originals, each painted by hand. Nadi-based artist Maria Rova uses dyes and resist on pure, white silk to create vivid compositions that express her love for Fiji. The wildlife, culture, and scenery of Rova’s South Pacific home are themes that run throughout her award-winning work.
The frame surrounding the silk painting is made from traditional Fijian ‘masi’, also called barkcloth. This is hand-crafted by village women on the island of Vatulele. A renewable resource, ‘masi’ is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes day to process, involving repeated pounding, soaking, and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.
When you are ready to frame your painting, simply peel the backing card off and mount on a colored background of your choice.