Multi-media artwork using a lino-cut print, with details drawn free-hand in metallic gold paint. Located next to the international dateline, Fiji is one of the first nations to welcome in each new day! The inspiration for this painting came by watching the sun rise beyond the Yasawa Islands, one of the many clusters of volcanic peaks that make up the Fiji Group.
Fijian ‘masi’, also called barkcloth, is produced by village women on islands such as Vatulele. A renewable resource, masi is made by harvesting strips of bark from specially grown paper-mulberry trees. Each piece takes days to process, involving repeated pounding, soaking and stretching. These traditional skills are passed on from generation to generation, with certain clans being considered the experts in masi-making. The uneven quality of the masi reflects its handmade origin.
Maria Rova lives in Nadi, Fiji. Her artwork is inspired by the wildlife, culture, and scenery of the Pacific, especially that of the remote island of Taveuni to the north of the Fiji group, which is home to her husband’s traditional clan. Sustained by forest and reef, Taveuni villagers still follow many of the ancient cultural practices that give Fijian people their unique identity. The artist wishes to acknowledge gratefully the impact that her Fijian family has had on her work.
|Medium||Hand-painted on Masi (inner bark of the paper mulberry tree)|
|Size||The masi is mounted on A4 black card and measures approx. 13cm wide by 22.5cm tall (portrait)|
|Copyright||Images and text © Maria Rova|